I want to be an opera singer: Music College

May I draw your attention to an insightful post by the ever-thoughful Jan Capiński about conservatoire training for singers. There’s a huge amount of food for thought here, and I agree with a large majority of the points Jan makes.

Most important of all is the primacy he gives to the choice of singing teacher. In the long run, the quality of your singing and its development is what will make or break your career.

If you’re currently researching music colleges, my advice would be to give absolute priority to the process of identifying the right singing teacher and letting the rest follow that. I’ll deal with how you work out who the right teacher for you is in a post of my own at some point, but in the meantime, take a close look at what Jan is saying here:

The Pitfalls of Music College


About Paul Carey Jones

Paul Carey Jones is a Welsh opera singer. He should be writing about the current state of the classical music business but might well digress into science, politics, football or cheese. He has recently started a series of irregular posts along the broad theme of "Things they don't teach you at music college." Any suggestions or requests on this theme will be treated with feigned or genuine interest. You can contact him via comments here or at: mail@paulcareyjones.com
This entry was posted in Music, Opera, What they don't teach you at music college. Bookmark the permalink.

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